January’s a fresh start. It’s also a cold, unembellished, minimalist reality.
Branches stretch tall in a cold winter sky. The way they’ve always done. Like some fabulously strong declaratory sentence.
Sometimes those trees come down. I’ve seen them come down, and that’s a sad day. But when I look out, I see strength. The ancient strength of magnificent trees who throw all caution to the wind and stand between me and the heavens. As is their way.
Tall white pines and a path that takes you. It doesn’t lead you, it takes you.
Do you know the long soft needles of a tall white pine? A pine tall enough to meet the sunny sky in the last moments of a December day. North Country meets Norwegian Wood meets what? I don’t know. It’s gentle. Or it’s pain, or it’s a place to leave behind.
When you choose your favorite lyrics to a Dylan song, it’s hard to find THE lines. I have this thing – sort of a pretty unimportant guiding principle. If I single out the same musical lyrics more than once, if it’s a sequence of lines or a few words, if those are the words I remember or I want to remember after I hear a song, then I guess I love those words.
In the darkness of my night In the brightness of my day
Bob Dylan works a magic with images nobody else can do. And in the middle of all that you find words you plainly love.
Walks are good for thinking. They’re settling. You get time to spend pondering whatever’s on your mind.
There’s something I can’t quite bring to focus. And it’s not what I’d expect.
… I’m ready for cold …
I’m ready for a cold December morning when a few flakes of snow float in the neutral nothing of a dismal day, or whatever they do when it’s December and not yet the hard bitter cold of January’s winter.
To this day, I love the soft, hoof to dirt rhythm, of a gallop. Clop clop clop clop, horse and rider, dust flying, in an old western. Clop clop clop clop. It’s sound and picture and smell and dust and dirt and powerful horse, all in a background sound that fills the brain.
When I was little, I played tap dance. With patent leather shoes banging and making as much noise as I could on a linoleum floor. It was silly and noisy, clicking and knocking the heck out of those shoes and that cheap floor. I love. I love that sound too.
But tonight it’s a cold dark winter night, it’s late, and I’m half asleep. Tick tick tick. The slick, scraping sound of icy sleet hitting windows, brushing glass. Tick tick tick. I’m inside, and feeling protected. Safe, I suppose. Yet the sound calls, barely calls, beckoning me from a desperate, a desperately soft floating dreamy winter numbness. Tick tick tick, calling me out from some sad sense of empty waiting. Tick tick tick. Out there in the dark. Tapping at the window. Tapping at the subconscious. It taps me on the shoulder. “Wake up. Listen, girl, listen. Yeah, girl, you. You hear that? Wake up, girl.” I get up and look, I guess hoping to see something in the darkness besides sleet hitting the glass. Out there where you know there’s nothing but dark and cold. What did I hope to see? I think something to make me look, to rouse, to look up and smile. Yeah, something to shake the numbness, to make me look up, and about, and smile.
Absent-minded, I look outside, and my brain works to pair long lines, from trees, with vertical panes, from the window. I like it when they’re perfectly parallel. When I take pictures in the woods, I angle the shot so trees naturally slanted to the sun come out straight up and down in the picture. Flowers too. And within the compulsion of these mental confines falls the nuisance and distraction of utility lines. Struggling to aim up over the lines so they don’t pull your eye from the clouds, or the sun, or the trees on the horizon. Sometimes, though, lines are inescapable. Sometimes you can’t take out the lines and have the same picture.
In the chilly hours and minutes of uncertainty I want to be in the warm hold of your loving mind Ah, but I may as well try and catch the wind. ~ Catch the Wind ~ Donovan