When I hear Bob Marley, I see shades of tangerine and vivid pink. And pictures in tropical greens and blues and yellows. And one of those small half-circle type windows, with sheer white curtains gathered neatly in a fan, to block out the afternoon sun.
Outside on the covered porch, someone waits in the shade of painted wood. A fancy overhang, and thin carved spindles. Tiny glass chimes, multi-colored prisms, hang down between the spindles, quiet and motionless on a day that’s warm and still. And past the cover of the building, blue skies. Gravel and grass, magenta-colored flowers, and lush green sandy vegetation.
I pick up the scent of stewed chicken.
The imagination’s funny. It takes a little of this reality, and the flavor of a song or a memory, and without beckoning, it floats some kind of blurry image your way. Like the soft elements of it all have been waiting around in your head, waiting for something to stir them up.
I caught a ride on the dreamland express last night. I was sailing on an ocean of blue. And right there by my side, Much to my surprise, Was you…. You said, let me be the end of your rainbow. Let me be the stars up above. Let me be the one that you long for, darlin’. Let me be the one that you love. Oh, let me be the one that you love.
The words are John Denver’s, from Dreamland Express. A sweet romantic old song.
The photo’s mine. One of my all-time favorites, from 2019, and the best rainbow I’ve ever seen. It stretched out across the big sky in front of me and came to rest in the trees, a couple hundred feet away. I wanted to run over to the trees just to find out what I’d find, you know, whatever it is you find, at the end of a rainbow.
This afternoon, heading out to the plant nursery, I reached for the dashboard and popped the Sirius button. The radio came on with a voice that was distinctly Dylan. It was The Beatles Channel, but Dylan’s song was a nice change of pace. Sometimes they play recordings by artists who inspired The Beatles. The program was Dark Horse Radio, a show Laura Cantrell hosts, which features George Harrison’s music. As they describe it, all things George. Minutes later, waiting at the light, I realized they were playing Dylan again. Both were songs I didn’t know.
The host spoke after the second song, noting that both recordings featured George in the instrumentation. She continued, as I turned into the parking lot, to say Dark Horse Radio was playing Dylan music in celebration of Bob Dylan’s 80th birthday. Whoah! Bob Dylan is 80 years old?
His birthday was on the 24th, and maybe I’ll spend the evening playing some Dylan tunes.
Bob Dylan. Surely one of the best songwriting talents of his generation.
Yes, let’s picture Prince. His blue suit, the white clouds, that impish grin, big brown eyes drawing you in….
One, Two, One, two, three, four.
I was working part time in a five-and-dime. My boss was Mr. McGee. Seems that I was busy doing something close to nothing But different than the day before. That’s when I saw her, ooh, I saw her. She walked in through the out door, out door.
~ ~ ~ ~ ~
[lyrics from Prince’s Raspberry Beret]
[This is a re-post. Prince passed away five years ago, a genius lost much too soon.]
Forty-nine years ago, August 1, 1971. The Concert for Bangladesh. In reality, two concerts. Performed to raise awareness, and funds for relief, of refugees caught up in the war in Bangladesh.
Earlier that year, Ravi Shankar, an Indian musician and friend to George, told him about the desperation in Bangladesh and asked George to help. The short of it is George said okay. A couple of months went by without a real plan, but another five or six weeks and George pulled together his friends, Eric Clapton, Bob Dylan, Billy Preston, Leon Russell, Ringo Star, and the band Badfinger, and Ravi Shankar recruited another Indian musician, Ali Akbar Khan, and they all performed at Madison Square Garden on the first day of August.
The back story covers a lot of musical history, and intersects the lives of some well-known and talented people. In 1961, George was 18 and performing in Germany with an early pre-Ringo version of The Beatles. Fast forward ten years, the musical group called The Beatles exploded into THE BEATLES and took over the world, until the individual Beatles went their separate ways in 1970. George was more and more interested in spirituality and eastern philosophies and music traditions, and was evolving musically to bring these influences into his craft. By 1971, he had his own solo albums and was producing the soundtrack for Raga, a documentary film on Shankar. Nevertheless, he hadn’t performed on stage as a solo act yet.
That summer, George was 28 and organizing in my memory one of the first big, really big, aid concerts in modern history. Dealing with the venue, performers, filming, recordings, the tax man, and everything else that’s involved in planning an event like this, with the goal (and determination) to get the money to where it was needed, in Bangladesh, and not everywhere in between.
So. Picture this. The end of the concert. George at the microphone. The master of ceremonies. The other performers were done. Clapton was dealing with some serious addiction issues and barely made it through his bit with George. And George didn’t know at this point if Dylan would perform. The day before, Dylan told George he was too nervous. About the crowd. For every one of us who’s stumbled over our own words because looking out at faces brings on brain freeze, there’s the idea of a nervous Bob Dylan. Are we all human or what? Bob Dylan, yes THE Bob Dylan, was nervous about the crowd and not sure he could perform. Whatever was happening in his life, he hadn’t really performed in concert for a number of years, and wasn’t sure he could do it. Why does this awkward little detail appeal to me?
George looked around the darkened stage, bright lights in his eyes, to see if the big act would come out and sing.
And yes, Bob Dylan was the big act. There was in fact a question mark next to his name on the concert playlist. What was George thinking during that flash of a minute? It must have been something like, “Oh shit, what am I doing here?” I haven’t seen that quote, but what else would be going through his head?
Then, yes … there he was. Bob Dylan. To paraphrase George’s description, his denim jacket, his harmonica, and his guitar. Dylan looked young and uncomfortable, but the music started. It was A Hard Rain’s A-gonna Fall, and he knew his song well.
Forty-nine years ago.
___________________________ Images from: the fest for beatles fans snf your beatles station
When rain has hung the leaves with tears, I want you near to kill my fears, to help me to leave all my blues behind. For standin’ in your heart is where I want to be and long to be. Ah, but I may as well try and catch the wind